Civilian Public Service Camp 56 Oral History Project Records
Scope and Contents
Includes edited transcriptions on paper and audio recordings on cassette tapes.
Dates
- Creation: 2003-2003
Language of Materials
English
Conditions Governing Access
This collection has no research restrictions and is open for research.
Conditions Governing Use
Permission to publish, exhibit, broadcast, or quote from materials in the Watzek Library Archives & Special Collections requires written permission of the Head of Archives & Special Collections.
Historical Note
This collection is composed of oral history interviews with conscientious objectors from the Waldport Civilian Public Service Camp 56 (the text of this note was adapted from the final report for this project by Katy Barber, Jo Ogden, and Eliza Jones titled: Camp 56: An Oral History Project). During World War II, 12,000 conscientious objectors did “work of national importance under civilian direction” as part of the Civilian Public Service (CPS) program, an alternative service to military participation. The CPS camp at Waldport, named Camp Angell (also spelled Angel), was the fifty-sixth camp to open, and it operated from October 1942 to April 1946. Camp 56, which was administered by the Church of the Brethren, was located about four and one- half miles south of the town of Waldport, Oregon. It sat just east of Highway 101, which runs along the West coast of the United States. The Pacific Ocean, just through some trees on the west side of 101, could be heard but not be seen from the camp itself. The four dorm buildings, kitchen, and dining area in which the men lived, cooked, ate, did office work, prayed, met, and engaged in the fine arts were set in a muddy forest clearing. To the east of the camp lay the steep hills of the Siuslaw National Forest, in which the men felled snags (e.g., cut down dead trees which posed safety and fire hazards), built roads, and planted trees for the U.S. Forest Service. The two towns closest to the CPS camp were Waldport to the north and Yachats just over three miles to the south.
In 1942 the Forest Service re-assigned nearly two dozen men from the Church of the Brethren’s Cascade Locks, Oregon CPS camp (Camp 21) to fight fires on the Oregon coast, and decided to open Camp 56 at Waldport in October. Work of “national importance” done in the Siuslaw National Forest by the men from the Waldport camp included re-planting acres that had been destroyed in the 1934 Blodgett Burn, building roads into the forest, and acting as fire lookouts during the dry summer months. The camp’s population fluctuated with transfers which were frequent in CPS, but residency averaged 120 men at any given time. Most of the objectors who were interviewed for this project were from religious farming communities in the Midwest, but several came from more urban, and less religious, homes.
In 1943, objectors from the Santa Barbara, California, Cascade Locks, and Waldport camps requested that NSBRO open a school in the Fine Arts where professional fine artists could find fellowship. The Brethren Service Committee chose CPS 56 for the location, and men began transferring there to begin the Fine Arts group in the spring of 1944, but Selective Service eventually eliminated this transfer option. Men in the Fine Arts program staged plays, presented weekly play readings, printed program folders and collections of plays, short stories, and poetry, and hosted a concert series. Some men focused on painting and drawing while others spent time sculpting and weaving, leaving behind a historically remembered legacy. Artists also distributed their work to other camps and bookstores across the country, and performed plays and music for public audiences. Although the Waldport camp is best known for this aspect of its history, a minority of the men held there actually participated. Many narrators of the interviews collected here do not remember the group at all, or relate that it formed after their time in Waldport. Several of the narrator’s lives, however, were transformed by Waldport’s Fine Arts group, which attracted professional artists and musicians and encouraged others to pursue artistic professions, particularly Vladimir Dupre, William Everson, and William Shank. There is no question that the Fine Arts group was a vibrant art center and an important part of the camp. By declaring themselves conscientious objectors and entering Civilian Public Service, the narrators of these interviews became part of a dramatic minority in America during the Second World War. Although this commonality separated them from the majority of American society, the narrators express a wide range of beliefs about topics specific to the camp, such as work and administration, and broader issues such as pacifism and conscription. The internal and public debates that arose from these differences are particularly poignant in the narrators’ memories of their time at Waldport. Although conscientious objectors in CPS comprised a tiny minority of those caught up in the war, this oral history collection and other materials related to CPS confirm an enduring and active legacy of pacifist resistance.
Extent
2 cubic feet (2 boxes)
Abstract
This collection includes audio recordings and transcriptions of oral history interviews with World War II conscientious objectors from Camp 56 near Waldport, Oregon.
Arrangement
Arranged in a single series.
Box 1) Transcriptions A-Z;
Box 2) Audio Recordings A-Z.
Physical Location
Special Collections
Immediate Source of Acquisition
Donated to Lewis & Clark College by the Oral History Project leader, Katy Barber and the U.S.D.A. Forest Service in 2009.
Processing Information
Processed in 2010.
Geographic
Topical
- Title
- Guide to the Civilian Public Service Camp 56 Oral History Project Records 2003-2003
- Author
- Casey Newbegin
- Date
- © 2010
- Description rules
- Finding Aid Based On Dacs ( Describing Archives: A Content Standard)
- Language of description
- English
- Script of description
- Code for undetermined script
- Language of description note
- Finding aid written in English.
Repository Details
Part of the Lewis & Clark College, Special Collections and Archives Repository