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“To Shuman Heink” (Half Moon Bay, CA: Paper Crane Press for the Friends of William Stafford, [November 2003].) 30 x 23 cm. Unnumbered edition of 100 copies. Housed in portfolio The World Speaks Everything to Us: Seven Poems 1930s to 1990s.

Scope and Contents “In Nagasaki . . .” Eugene, OR: Knight Library Press, University of Oregon, 2004. A part of a set of broadsides: “A Memorial.” Designed by Sandy Tilcock to accompany “Art Lesson,” by Kim Stafford. A calligraphed Zen circle of enlightenment by Marilyn Reaves links the separately printed poems. Each part is 16 x 33 cm. and mounted with clear poster corners on black mat board with publication information affixed to the back. Printed from handset Perpetua types on dampened black Stonehenge...

Scope and Contents “Collage” ([Mt. Horeb, WI: Perishable Press], 4 May 2004.) A two-stanza poem written as a collage exercise at Beloit on 15 November 1990 and given to Walter Hamady the same day. Printed by Hamady as a single-folded leaflet. 26 x 35 folded to 26 x 18. The first page features Hamady’s journal entry headed 14 November, each copy signed in green ink “Walter Hamady”; second page, pen and ink illustration for the poem by David McLimans, signed and dated in pencil by the artist; third page, copy of...

Scope and Contents THE WORLD SPEAKS EVERYTHING TO US: POEMS BY WILLIAM STAFFORD (1933-1993) (by) William Stafford, (Half Moon Bay, California: Paper Crane Press, 2004). 33 x 24 cm. This portfolio features broadsides printed for the Friends of William Stafford between 1999 and 2003. Twenty-six portfolios, lettered A through Z, were assembled. Each broadside in the portfolio was published prior to the creation of the portfolio, and is listed separately in this bibliography. The broadside included were: “You...

Scope and Contents “Stafford / Szybist” (Portland, OR: The Berberis Press, 2005). For the fourth William Stafford Symposium in Smith Hall on the Lewis & Clark College campus, 22 January, 2005, presentation of responses to Stafford’s “The Little Girl by the Fence at School” by students from Mary Szybist’s poetry class. In addition to the Stafford poem, poems by Mary Szybist, Benjamin Thonney, Fletcher Bouvier, Emily Sheridan, Mathilde Walker, and Mackenzie Griffith. Broadsides in two editions: a 28 x 21 cm....

Scope and Contents “One Evening,” on a poster titled “William Stafford Studies” ([Portland, OR]: Lewis & Clark College, 2005). A poster of poems written in response to WS’s “One Evening” in Ann Staley’s workshop “William Stafford Studies,” July 11-15, 2005 in the William Stafford Room, The Watzek Library, Lewis & Clark College. In addition to an all-hands poem compiled by Ann Staley, the poems are by Lydia Aragon, Susan Bucharest, Nancy Fischer, Connie Furseth, Beth Herman-Davis, Lydia Laurance, Jim...

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“Remembering Mountain Men” ([Portland, OR]: Watzek Library, Lewis & Clark College, December 14, 2005). A single sheet chapbook designed by Jeremy Skinner as invitation to the Special Collections Holiday Open House. Illustration by Richardson Cox Sr. from the Special Collections copy of Harper’s New Monthly Magazine for September 1862. Printed on pale green and on dark green cover stock.

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“Any Morning” (Half Moon Bay, CA: Paper Crane Press for the Friends of William Stafford, [2006]). 29 x 16 cm. The date of publication is not present, but the colophon notes the previous copyright date of 1998.

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“Deep Light.” [Queensbury, NY: Adirondack Community College Academic Affairs, 2006]. 28 x 22 cm folded twice to 14 x 11. Leaflet holiday card printed on gray linen paper. Includes Stafford’s poem and a note from Sheldon Hurst, Interim Dean for Academic Affairs.

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“Hummingbirds” (Half Moon Bay, CA: Paper Crane Press for the Friends of William Stafford, 2007). 29 x 16 cm. Illustrated by Carol-Marie Garcia.